Sexuality And Its Effects On Society - 1845 Words

Over the years our society has developed into a world in which revolves around sex. Media has exposed children to sexual images, behaviors and even language, at any early stage in their development. All that is occurring quickly and they aren’t developmentally qualified to handle these situations. Acknowledging sexuality is a part of life and everyone has or will experience this in their lifetime. By an early age children should understand how their bodies will begin to change because there isn’t a concrete time to when this will happen. Throughout the years programs have been evaluated to determine when a child should begin to learn about sex and what would be the most effective way but society has not yet come to a conclusion on this matter. As the mind of a child develops and it’s complexity increases, their ability of creating sexual fantasies becomes more elaborate. They begin having fantasies that not only include them but also others they may know or have come in contact with. Their minds grow out of the elementary cooties phase and the idea of having intercourse or making love with another person suddenly doesn’t seem disgusting. The majority of human beings begin to have sexual feelings in their earliest development, as babies. â€Å"Each time someone changed our diapers and powered our private parts we had sexual feelings in the most basic sense-nice physical sensations down where the Pampers go† (Joannides, 736). Why would anyone want to arouse their child by touchingShow MoreRelatedSexuality And Its Effect On Society1306 Words   |  6 Pagesdefinitive flavor to our respective recipes is sexuality. The basis in which the term sexuality is defined can appear deceptively simplistic. By a gen eral definition, sexuality is a person’s sexual orientation or preference. Reality, however, has its sly way of skewing the fundamental meaning of human sexuality into a continuum, a spectrum rather, which encompasses aspects beyond just sexual orientation or preference. This intricate definition forged by society and the media- the reality of many nowadays-Read MoreSexual Sexuality And Its Effects On Society1443 Words   |  6 Pagesbrain anatomy discoveries together lead most scientists to conclude that sexual orientation is rooted in the brain: it is not a matter of choice or result of sexual abuse or parent-child interactions early in life. None of the major scientific societies, including the American Medical Association, the American Psychiatric Association, and the American Academy of Pediatrics, considers same-sex attraction a disorder. Like heterosexual youth, gay, lesbian, and bisexual young people discover how theirRead MoreSex Sexuality And Its Effect On Socie ty1458 Words   |  6 Pages The world in constantly evolving and ideas that were once seen as radical soon become a societal norm. Sex and sexuality have often been a taboo topic, but are a central part of history because life itself would not exists without sex. Since sexuality, and even more so same-sex sexuality, were not often mentioned historically, there are many unknowns and inferencing must be done relatively often. Through the convergence of primary sources, such as court cases and diaries, and secondaryRead MoreHuman Sexuality And Its Effect On Society2663 Words   |  11 PagesIntroduction Human sexuality is defined as the capability of individuals to experience their sexuality and be able to express themselves as sexual beings (Hyde DeLameck, 2006). Our interest in this topic is because with time, there has been a change in rules that control human sexual behaviour. The status quo in our contemporary society is much different as compared to an earlier state of conditions, and the change has, as a result, brought the evolvement in human sexuality. People s view onRead MoreHuman Sexuality And Its Effects On Society Essay1875 Words   |  8 Pageswe learned about different aspects of human sexuality. Regardless of the subject, the most important take away is diversity. All the sections discussed in and outside of class demonstrate how sexually diverse people are around the world. In order to truly understand how widespread and diverse sexuality is; we explored cultures, evolution, studies, biology, religion, physiology, and psychology. By delving into these categories , we can comprehend sexuality and apply our knowledge to a greater numberRead MoreGlobalization And Sexuality1247 Words   |  5 Pagescharacters. Sexuality refers to how people relate to sexual activities or perceive sexual matters. Sexuality may differ from one culture to the other, but the cultures are likely to influence each other’s sexual beliefs and orientation. Globalization has had an extensive influence on the changes witnessed in sexuality across the globe. It is through globalization that sexual purposes have gotten new meanings. Some of the topics which come up as a link between globalization and sexuality are sexualRead MoreThe History Of Sexuality By Michel Foucault1729 Words   |  7 Pageschapter of the book entitled â€Å"The History of Sexuality† by Michel Foucault seeks to explain the traditional and modern issues regarding sexuality. Michel argues out that during the 17th century, sexuality was not a big deal, and various sexual acts were pursued more or less deliberately. Primarily, there was no taboo concerning sex and people of all age groups including children were well aware of sexual behaviours. Michel then points out that sexuality was now shifted to the homes where it was meantRead MoreFeminist Theory : A Feminist Perspective1558 Words   |  7 PagesShildrick 1999, 79). Due to the fact that we live in a male dominant society, women have always felt subordinate to men. As a result, the goal of feminist theory, is to invite individuals who are interested in becoming feminist advocates and are willing to help with the â€Å"breaking out of the boundaries of the proper body, of overflowing the sexual categories assigned to women† in today’s world (Price and Shildrick 1999, 80). In today’s society, people tend to visualize and in some case, even alter their bodiesRead MoreMedia Influence On The Media993 Words   |  4 Pages they can do anything. Media is the way to translate different news, video s, music over the people. I think media influence the most about the sexuality. Media influence me by showing different sexual stories in the newspaper, by posting videos and picture on the website, and by watching different sexual videos on movies influence the most about sexuality. It is a positive influence because we can get the knowledge about sexual precaution and awareness. Television programs influence about sexualRead MoreThe Beat Generations Effect On Jitterbug Perfume1550 Words   |  7 PagesBeat Generation’s Effect on Jitterbug Perfume In the Novel Jitterbug Perfume, many themes and ideas from the Beat Generation can be found. The Beat Generation was a movement developed by young people who rejected conventional society in the late 1950s. The idea of the generation was strictly based on modern Jazz, free sexuality, recreational drugs, and rejecting standard ways. Developing sexuality, depending on drugs and the pursuit in individuality we taken from the Generation and creativity

Pressure on Teens Free Essays

Media’s Pressure on Teens Millions of boys and girls all over the U. S. get up every morning and step in front of their mirror to ask one question. We will write a custom essay sample on Pressure on Teens or any similar topic only for you Order Now The question crossing minds at that moment is â€Å"Does this look cool? † Oddly enough, to most teens in America, they are not meeting the standard set by their peers and the press. Teens base their styles, attitudes and ideas of what they see, hear and read which creates huge problems elsewhere. These problems can occur in the way teens treat others and the way they treat themselves. American teens and adults have yet to look past all the flashy clothing and make-up to understand what is actually being sold and how it can affect people in a terribly negative way. From my experience as a teen, I have seen my peers change to fit the latest fads and understand the weak points of teenagers. I have therefore concluded, the four strongest influences on teens from the media are the correlations from fashion and music to â€Å"self-identity†, showing teens how to think, talk, and feel, the selling of images not products, and body and physical issues. For most people, adolescence was a time of truth and realization or â€Å"finding yourself†. Well, it is good to know things have not changed, because young adults these days feel the same way. But for teens today, they only find out what and who the media wants them to be. The interests of teenagers are derived from music and television. If someone hears a band on the radio and people around them say the band is â€Å"sick† and â€Å" way cool† the person will believe it despite whether or not the music is trash. It all begins here. The links between music and finding your place at school or in a community are so incredibly strong teens base their outlook toward life and others on them. The connection between music and finding â€Å"who you are† is only the tip on the huge, esteem-eating, merciless iceberg of the media. Teens find ways to deal with life’s challenges by talking, thinking and feeling like the TV, music and modeling stars that they hear and see everyday. The shows and programs the majority of young adults watch are based on teenagers as well. Therefore, the viewers intentionally, or unintentionally, pick up habits their star has. For example, if a boy was suddenly introduced to the â€Å"wonderful and inspiring† music of the guitar thrashing band Metallica, he might begin to wear dark colors such as red and black that are often featured in the band’s music videos Most importantly, as it usually plays out, he would consider anyone who doesn’t listen to Metallica to be a brainless idiot with no taste in music. At this point in the youth’s life, prejudice and dislike of others based on style preferences rears its head and breaks loose from it confinements. Cliques are formed and members are selected and rejected. This leads to problems for those who are rejected and once again they feel they can never be as good as had been expected. Suppose someone was channel surfing and stumbled upon a car add. The model of car that is being sold is irrelevant, but what is going on around the car is what the company is trying to sell. The person who is watching believes the advertisement is for a product when in fact it is an image that is being sold. Confusing right? Explanations are close at hand. In the car add mentioned before (perhaps the car is a small Toyota Corolla) the colors are bright and vibrant; a young couple is sitting in the front seats of the car with their windows down, enjoying the fresh autumn air. Notice that when the voiceover is speaking of low APR financing until 2004, the young couple is smiling like there is no tomorrow. They glance each other lovingly as shadows whisk playfully over the windshield of the glittering car. This appeals to almost anyone, but for a girl who is looking for a cheap and comfortable car, this is the perfect sales pitch. Or perhaps the car is a Ford truck. Already the name sticks in the viewers mind but the video clips of buff men and rugged trips to the desert to rock climb convince them they need the truck. If the viewer can’t have the product, whether it be lip-gloss, a new car, a prom dress or even a new hairstyle, their self-esteem plummets. They begin to feel they are not capable of being so cool. One must keep in mind that the companies that are advertising are not selling a product, but an image that you will get when you go for this great, once-in-a-life-time offer. The last and most dangerous result of influence by the media is bulimia and anorexia nervosa. A simple stereotype must be cleared up before this essay goes any further. If a common businessman were asked about anorexia nervosa or bulimia, it is almost certain that he would say that it occurs only in women. What this common businessman doesn’t know, along with most of America’s public, is these diseases do occur in boys and men. When striving to meet that ideal weight to height ratio men will fast. They will continue to use that exercise plan they were been told was used by Arnold Schwarzenegger and eventually their body begins to feed of its own muscle because it has no nutrients. Once someone gets stuck in a routine of that sort they will have trouble quitting. For women, the cases are different but still maintain the idea of starving themselves to reach that slim and elegant look that so many stars and models seen in magazines have. For someone who has anorexia nervosa, every time they look in the mirror they see a huge and grotesque figure staring back. They are most certainly not over weight but their brain believes what it sees. Once again, people should be taught to look past all the fraud that is flashing in front of them and make good decisions based on reality. So next time an ad flashes onto the TV screen think of all the things really being sold and how to approach them correctly. To stand out in a crowd and be individual one must have a crowd and telling people they are idiots because they do not listen to Metallica is no way to attract a group. The diseases anorexia nervosa and bulimia are triggered by people wanting to be like those skinny, spindly women who strut around on cat walks showing off pieces of iridescent cloth draped about them. â€Å"Why? Why would someone want to be like that? one may ask, well, the truth is that these teenagers do not know who to follow or what to do. They see the media; they see companies telling them â€Å"This is hot! You need this to be cool! † and the viewers do not see what is happening to their own bodies, what is happening to others around them, what the consequences of their decision will be. If one fails to see behind the razzle and dazzle of the media they will be trapped in a cage of false faces and feelings; trapped in the mad â€Å"fun-house of fashion and fraud. † How to cite Pressure on Teens, Papers

Dont tell mother Essay Example For Students

Dont tell mother Essay JoAnne Akalaitis bristles when I suggest that Jane Bowless In the Summer House reminds me of a Tennessee Williams play. First of all, Tennessee Williams is a man, and this writer is writing about the central conflict between mothers and daughters from a womans point of view, the director says with conviction. Williams is also very sophisticated, and Jane Bowles is very innocent. Akalaitis recently directed In the Summer Housethe late novelist and literary cult figures only playin its first Broadway production in 40 years at Lincoln Center Theater, where it opened in early August. Akalaitis has a point about the comparison to Williams: Bowles writes about mothers and daughters from a perspective Williams never hadpersonal experience. Her own mother was doting and domineering, determined to give Jane, whom she called her million-dollar baby, every advantage. Bowles translated these emotions into her writing, a small but distinguished body of work with a unique, feminine perspectivewriting which has over the years drifted towards obscurity, despite the fact that it was greatly admired by her literary peers. In the Summer House centers on no less than three sets of mothers and daughters: the overbearing Gertrude Eastman Cuevas (Dianne Wiest) and her reclusive, odd daughter, Molly (Alina Arenal); the anxious, overindulgent Mrs. Constable (Frances Conroy) and her vivacious and high-strung daughter Vivian (Kali Rocha); and the down-to-earth, affectionate Mrs. Lopez (Alma Martinez) and her adoring daughter Frederica (Karina Arroyave). The scene is southern California in the early 1950s (an era Ann Hould-Ward has fully capitalized on for her chic, playful costumes), and Gertrude has brought her daughter to live in a house facing the ocean, where they coexist in relative seclusion, if not harmony. The solitude is broken only by visits from Gertrudes tenacious suitor, Mr. Solares (Jaime Tirelli), and the occasional boarder they are forced to take in to make ends meet. As the years go by the boarders will increase, Gertrude predicts gloomily in a soliloquy aimed at her daughter, who has taken refuge in her favorite spot, the summer house in the garden, and I can barely put up with the few that come here now. Even my own flesh and blood saps my vitalityparticularly you. Abrupt shifts in Jennifer Tiptons shimmering lighting and discordant sound engineered by designer John Gromada signal Gertrudes shift to an internal monologue of painful personal recollections: a distant father, moments of dark isolation. Separations and reunions The brown, parched garden where only a single vine grows and the stucco-style wall of the house are central to George Tsypins evocative set. The wall becomes transparent to allow the audience to see the road leading to the house, backed by a scrim covered in brilliant sunset hues. The set is kind of a surreal, lonely ocean, but also an arid landscape, Akalaitis says, in which the intimate, melodramaticin the best sense of the wordevents are played out. The melodrama heats up with the arrival of Mr. Solares, Mrs. Lopez (his sister) and Frederica, quickly followed by the latest boarder, young Vivian Constable, and her mother. After a ferocious argument with the reclusive Molly, who resents the lively newcomers intrusion into her world, Vivian falls (or jumps? or is pushed?) off a cliff. Bowles sets up the central unanswered question of the play: What actually happened that day on the beach? The play follows Molly through a bizarre double weddingat the same time Gertrude marries Mr. Solares, Molly marries Lionel (Liev Schreiber), a serious young man who works at the Lobster Bowl restaurant in town, in a ceremony which Akalaitis stages as a kind of slow-motion group danceand through a wrenching separation from her mother. In the final scene, Gertrude returns after a years absence to reclaim Molly, forcing the young woman to choose between husband and mother. Of the three sets of mothers and daughters, only the inseparable Mrs. Lopez and Frederica make it to the final curtain with their relationship intact. .ue5ecb19c49e580907bd69a11003a83ee , .ue5ecb19c49e580907bd69a11003a83ee .postImageUrl , .ue5ecb19c49e580907bd69a11003a83ee .centered-text-area { min-height: 80px; position: relative; } .ue5ecb19c49e580907bd69a11003a83ee , .ue5ecb19c49e580907bd69a11003a83ee:hover , .ue5ecb19c49e580907bd69a11003a83ee:visited , .ue5ecb19c49e580907bd69a11003a83ee:active { border:0!important; } .ue5ecb19c49e580907bd69a11003a83ee .clearfix:after { content: ""; display: table; clear: both; } .ue5ecb19c49e580907bd69a11003a83ee { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ue5ecb19c49e580907bd69a11003a83ee:active , .ue5ecb19c49e580907bd69a11003a83ee:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ue5ecb19c49e580907bd69a11003a83ee .centered-text-area { width: 100%; position: relative ; } .ue5ecb19c49e580907bd69a11003a83ee .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ue5ecb19c49e580907bd69a11003a83ee .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ue5ecb19c49e580907bd69a11003a83ee .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ue5ecb19c49e580907bd69a11003a83ee:hover .ctaButton { background-color: #34495E!important; } .ue5ecb19c49e580907bd69a11003a83ee .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ue5ecb19c49e580907bd69a11003a83ee .ue5ecb19c49e580907bd69a11003a83ee-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ue5ecb19c49e580907bd69a11003a83ee:after { content: ""; display: block; clear: both; } READ: The Revolt of Mother: The Power of Decision EssayThe ambiguousness of the endingwas Molly responsible for Vivians death? what will happen to the two mothers left alone?is, Akalaitis says, a strength of the play. That classic, critical criterionthat plays have to have very neat, wrapped-up endingshas impacted on American dramaturgy considerably. The ending of this play is a big question markand that is stimulating, so that the audience should leave the theatre with its own scenario or scenarios. The production mixes haunting music composed by Philip Glass with Mexican folk songs, performed by a trio of servants and a guitarist, providing both ambiance and a sense of the vitality of the Hispanic characters. When reading the play again after a number of years, Akalaitis was concerned that the Mexican characters could be construed as racist cliches. (Indeed, in a review of the 1953 production, Brooks Atkinson commented on the exuberant, animal life of Mrs. Lopez and company, who were played mostly by white actors, with the notable exception of Miriam Colon as Frederica.) I cast the Mexicans as very attractive people, Akalaitis relates. So, while the WASP people are neurotic and pathological, the Mexicans are in touch with their emotions, food, their bodies, the landscape. They are expressive, they are funny, their presence is buoyant and airy. And they are not played by Anglo actors, theyre played by Latinos, which is very important. Confusion among the critics Another casting choice is central to the play: Akalaitis cites Dianne Wiests great stage presence, beauty, range of emotions, the fact that she is a raw, emotional actress as requisites for the bravura role of Gertrude. Although Akalaitis rejects Tennessee Williamss work as a parallel to Bowless, Lincoln Center has used the late playwrights endorsement of his friend Janes play prominently in its advertising. It is not only the most original play I have ever read, Williams said of In the Summer House, I think it is also the oddest and funniest and one of the most touching. Its human perceptions are both profound and delicate; its dramatic poetry is both illusive and gripping. Despite such comments by her contemporaries, the play has rarely been performed since its 1953 Broadway premiere. Reviews from that production directed by Jose Quintero and starring Judith Anderson as Gertrude and Mildred Dunnock as Mrs. Constable ranged from the New York World Telegrams pronouncement that Jane Bowlesmay fairly be termed the most original American dramatist of her generation, to curiously ineffectual in the New York Times, and flashes of bright buoyancy intermingled with sordid psychopathology in the Daily Mirror. Akalaitis describes the play as very American but also very surrealistic, and says that in 1953 it confused the (mostly male) reviewers, so they talked about neurotic women. The play is real, the director says, because the feelings are real, but structurally and emotionally it is more like a meditation on a dramatic situation. Jane Bowless life greatly affected Akalaitiss approach to the play. All of her eccentricities, her oddness, her quirkiness, her self-destructiveness, her generosity, her obsession with food, her rhythms are present in the play, the director believes. Its all about Jane Bowles. In a funny way, every non-Mexican woman on the stage is Jane Bowles. It remains to be seen whether Lincoln Centers production will restore this all-but-forgotten play to the American repertory. It is unique and dazzling American dramatic poetry, Akalaitis says fervently. This voice of 45 years ago is as fresh and as innovative and as moving as it was when she wrote the play. And perhaps more so.